Categories
Drinking Experiences

So Is it J-O, or C-H-U?

By Scott Coscia

I’ll never claim to have the same wine knowledge as Chef Mateo.  The man just knows way too much about fermented grapes.  Then again, Chef Mateo could never tell you the day Felix Unger was asked to leave his place of residence.  It was November 13th just in case you were wondering.  Mateo and I have different skill sets.  One thing we both do share is a passion for the fermented grain and fruit concoction known as shochu.

Neither of us had really heard of the liquor before until one night when we were out at a favorite little spot of ours, a small, below street level Japanese bar that until recently had been quite underground.  That was until a certain critic from a major metropolitan daily blew up our spot, as the kids say nowadays.

The place was a bit of an oasis where if you didn’t have the money or the time to seek out a sports bar in Tokyo or Hokkaido, you could travel to midtown for the same experience.  One night we were sitting there enjoying a couple of Sapporo drafts and eating enoki mushrooms wrapped in bacon (I will pose the argument that anything tastes better when wrapped in bacon,) when the only other non-Asian person at the bar sat next to us.  We were watching the Yankee game and had switched to sake.

The mysterious stranger, (well OK he wasn’t that mysterious, but I want to enhance the mood,) sat down next to me and had a tall frosted bottle put in front of him.  He poured the clear liquid over ice and then put something that resembled a cherry into it.  I was intrigued by what he was drinking, so I inquired as to his glass’ content.

Normally strangers in a bar in New York City don’t typically converse, but the only geijin at an underground Japanese isakaya breaks all rules. It was almost as if we were three expats in the land of the rising sun.  He not only told me what the elixir was, but offered Mateo and myself a glass.  The mystery drink was shochu, a Japanese rice based vodka.  I was leery at first to drink vodka just on the rocks with some sort of red thing in it.  I’m not much of a hard liquor drinker when it’s straight up.  I like it mixed with other things that will bring out the flavor.

The man insisted that Mateo and I join him for a glass.  I’m by no means an expert on Japanese culture and traditions, but one thing I do know is that it is rude to turn down a drink. I took the man up on his offer and had my drink the same way he consumed it, on the rocks with the quarter sized red fruit, which I later found out was something called ume, a Japanese pickled plum.  I figured I could swirl the ice around enough to dilute the impending burning sensation in my throat that would accompany the liquor.

My first sip of the liquid was quite surprising.  It was crisp and clean and did not have the same bite that I was expecting.  I thought maybe I had over prepared my body for something and had found a way to turn off the pain receptors in my throat.  In an effort to confirm my mild delusion, I took another sip.  The next sip was very revealing.  It did not confirm that I had found a way to conquer the whole mind over body equation; it revealed that what I was drinking was very smooth and did not have the slightest hint of harshness to it.  I then asked the man if I could look at the bottle.  He obliged.

I studied the bottle carefully and tried to gain some insight into the liquid set in front of me.  I figured maybe it was very watered down and did not carry a high alcohol content.  The label read, “Tori Kai,” a vodka made from rice  The surprising thing about this liquor was the alcohol content.  It was forty proof, which meant that it was twenty percent alcohol.  I’ve tasted hotter California cabernets that were only thirteen percent.

Shochu tastes like somebody had created a liqueur that was based on the taste of water.  This was good stuff.  The ume gave it accents of cherries.  I wondered if all shochus were like this.  For me the only way to find out is experimentation.  The next time I was out, I ordered a shochu called Ichiko.  It was made from buckwheat and I found that I enjoyed it more than the Tori Kai.  I felt it had more body to it, and it was still smooth, yet a little rougher than the rice based versions.  It was also earthier and just a bit nuttier.

If you are at all intrigued by the stuff, then good; but please be forewarned that it’s not the easiest to find.  I have found only one place that has any kind of selection, and that is Landmark Wines on 23rd Street in Chelsea.  The proprietor Ken will be happy to answer and questions that you have on the subject and is always pleasant to talk to.  I am fortunate enough to be dating somebody who lives right across the street, so it’s not a far stumble when Ken opens a bottle to let me sample something.  I use the word sample loosely.

If you want to order it out in a restaurant, then don’t look to your neighborhood sushi joint for the stuff.  Sadly I have found that most places don’t carry it, or its Korean counterpart soju, which only differs in country of manufacture and the spelling.  If you can find a place that carries it, then you’re in luck.  You can get it many different ways, such as with your choice of fresh squeezed citrus, (one place I know of gives you the strainer and allows you to squeeze the fruit yourself,) or with green tea.  Normally places that carry shochu also carry a variety of it.  In addition to rice or barley, I have seen it made with sugar cane, sweet potatoes, limes, and even tapioca.

Whenever I see it on the menu, I make sure that I order it.  The best part is that it’s a very friendly drink.  It’s very difficult to replicate the mood that tequila induces in me when consuming shochu.  The best part of the stuff as far as I am concerned is that with its low sugar content, I don’t feel hung over the next day from partying with a few glasses.

In an interview, Japan’s Shigechiyo Izumi credited shochu as his secret to a long life.  He lived to 120, so I guess he did something right.  If the beverage native to Japan’s southernmost island, Kyushu, was good enough for Mr. Izumi, then it’s good enough for me. Kampei!

Categories
Drinking Experiences Wine

Taste Off

Part of the job of a professional in the wine industry is to attend tastings where hundreds of wines may be offered. Industry protocol dictates to spit, so as not to be affected by the amount of alcohol. That way wine number 43 can actually be judged accurately. My only problem with this is not experiencing the finish in a wine, which is the most enjoyable part after the aroma. This is not as difficult as one might think, in that inherently there is a lot of piquette out there, not worthy of being swallowed anyway.

Not so during a recent tasting held by Louis/Dressner selections on a beautiful, sunny autumn afternoon at a loft atop East Fourth Street. The affable Joe Dressner was omnipresent, having organized a miraculous spread of delicious and most interesting wines, with the added bonus of several winemakers such as Eric Texier, Silvio Messana, and Monique & Pierre Luneau.

The wines are vinified naturally, resulting in some of the most exciting wines in the marketplace today, thus leaving the old world vs. new world squabble to the rest of the producers. I have been fortunate enough to have tasted many of these wines over the years, although each vintage is different, so I had to carefully strategize which wines I just had to taste.

Table 1 highlights Larmandier-Bernier, a biodynamic producer, crafting gorgeous, bone dry champagnes that get the party started right. Onto Philippe Pacalet for a taste of light, aromatic, almost ethereal pinot noirs, a real treat. Radikon made its presence felt with 2002 Ribolla Giallas , chardonnays, and Tocai Friulanos, about as wild a white as you will encounter from Friuli, Italy. Then I hit the Lunea-Papin table, where aged muscadets were on display, such as the brilliant 1989 and 1990 vintages.

Silvio Messana stood behind his Chiantis, well dressed and pouring juicy smooth rossos and chiantis to my delight. Next to Silvio I met Eric Texier from the Rhone valley. Apart from a fab CDP white and a stellar Cote-Rotie, his 2004 Brezeme stood out as a lovely example of an unpretentious syrah.

On to Roagna for some Barolo and Barbaresco. Boy do these babies need bottle age! Olga Raffault put out a 1990 Chinon, a cab franc that has serious aging potential. I said hello to old friends (wines) Domaine de Pepiere, Domaine du Closel, Terres Dorees, and Michel Tete, Francois Chidaine, Catherine and Pierre Breton, and Thierry Puzelat, all go to favorites over the past few years.

I came away from the tasting with a sense of happiness, that so many dedicated vintners are creating such great wines, and how fortunate we are to be able to taste the fruits of the earth, in an age when working with nature is not practiced or valued nearly enough.

Categories
Drinking The Chef Wine

Pret-a-Boire

As a wine director, working at a restaurant affords me the luxury of tasting several wines from different importers whose portfolios reflect a certain sensibility towards winemakers. Often I have a chance to taste older vintages which can prove useful in understanding how wines evolve with time. This is especially important in wines such as Barolo or Gran Reserva Riojas which require extensive cellaring.

One very large negative as a wine director is that I go out to restaurants less and less. The opportunity is just not there, and I often prefer the comfort of a home cooked meal than the same old scene. When I do choose to go out, I am ready to drink some serious wine, eager to see what my fellow wine directors are putting on their lists.

Herein lay the pitfalls of knowing too much. Wine is directly responsible for the financial stability of a restaurant, especially today. Almost no money can be made from the food, because chefs today use very high quality ingredients. All the profit is pinned on the alcohol, and as a consumer you should understand that. Rather than lamenting that a twelve dollar bottle has been marked up to forty-two, round out the cost with the entire package. If the atmosphere, service, and food met or exceeded your expectations, the mark up was well executed.

The problem arises when you know the price of a bottle and there is veritable price gouging. Just recently I scoured a list at a high end Madison Avenue Spanish restaurant and found a bottle of wine selling for fifty-two dollars. I serve the same wine at the restaurant for twenty-four dollars. I know what we both paid for the bottle. What’s up with that? It’s an insult and an abuse.

For the most part, wine directors offer some values on their lists. Even if you have no idea how to navigate a wine list, just ask the sommelier where the values are. Sommeliers are supposed to be helpful, and wine directors love to sneak in great deals like programmers like to include secret codes. If that fails, just ask your server, who undoubtedly has favorites as well.

Finally, beware of the younger vintages. The great thing about an extensive wine list is the opportunity to try hard to get wines, wines that are summarily snapped up by collectors before it ever reaches your local wine shop. Just order a 1964 Barolo to understand exactly what I mean. You have to pay for this, of course, but at least this is an available option to you as a foodie and wine lover. All too often great wines are offered on lists, albeit too young. For instance, I have been noticing on more Spanish wine lists the inclusion of the 1998 R.Lopez de Heredia Vina Bosconia. I have tasted this wine on several occasions this past year, and this wonderful effort from the Rioja Alta is a superb value, except for it being absolutely not ready to drink. Yet it is popping up on lists everywhere. What gives?

The same is true for many wines, like CDP’s (Chateau-neuf du Papes) which should not be uncorked for at least seven years after release. And barolos, brunellos, barbarescos, bordeaux, gran reserva riojas. The list goes on and on. Why do restaurants offer these wines?
These wines offer prestige to a list. Caché. A degree of excitement to the wine lover.

Another solution is that the wine can be decanted and aerated, thus exposing the young volatile juice to oxygen, promoting the aging process at your table. Is this a substitute to bottle aging? Quite frankly, the answer is very often a resounding no. My good friend el capitan uses a technique he learned from a Barolo master. Uncork the wine four hours before drinking, and transfer the liquid from decanter to decanter to promote accelerated aeration. Repeat several times. Something you would never do with the older vintages. I’ve seen this work with my own eyes and palate, but I’m not convinced just yet.

One thing you can do if you have an established relationship with the sommelier is to call ahead and ask him/her to decant it for you in advance. If there is a fee involved, this is well worth it, and if needed provide your credit card for insurance. That way when you arrive to the restaurant, all of your wine is prêt-a-boire (ready to drink). This may seem like obsessive planning, but it will be worth the effort, especially for young, tannic, closed wines.

Next time you scope a wine list for the treasures, be careful, ask a lot of questions, and drink the best wine you possibly can afford for the meal. Remember, life is too short to drink bad wine.

Categories
Drinking Wine

Spanish Mazel Tov

The quality of kosher wines has improved steadily over the years, although the options for good, quality bottles have remained limited. This holiday season opt for the Capcanes Peraj Ha’abib, Flor de Primavera 2003. Cellar Capcanes has been quietly growing old vines garnacha (Grenache) in the northeastern Montsant appellation of Spain, next door to the prestigious Priorato region since 1933. This cooperative was petitioned by the Jewish community in Barcelona to create a kosher wine, a task the Catholic winery was unequipped for, according to strict Jewish code. An enormous upgrade and consultation by rabbis brought Capcanes up to code, resulting in a magnificent effort regardless of religious denomination. Flor de Primavera means spring blossom, but don’t be fooled by its dainty name. Aged in French oak for over one year, this wine boasts a ton of black fruit, smoky aromas and juicy spice. This wine exudes the true finesse and power of Spanish wine.

Categories
Drinking

Arriba! Arriba!

In response to the tequila craze this week, I recently took my friend Billy out to drink a proper tequila. He invited a lady friend, and as there was some sexual tension, I broke the ice by ordering a tequila shot and then teaching them how to perform a body shot. Once applied, you know exactly where you stand for the night, and can plan accordingly.

If this is too racy for your blood, then try it the way most Mexicans take it, a blanco with a chase of sangrita. Premium white tequilas are 100% percent blue agave and have not been aged in oak barrels. They display more of the terroir in tequila, thus expressing its original intent. The sangrita recipes vary, but its components resemble that of a Bloody Mary mix.

The Body Shot is performed as follows:

Rub lime on partner’s neck.

Pour salt on the same spot.

Place lime in partner’s mouth.

Take ½ shot.

Lick the neck.

Take other ½ shot.

Kiss for the lime.

Any other variations should be performed only if you are really friendly with your partner(s).

Sangrita

2 cups tomato juice

1 cup orange juice

2 oz. lime juice

2 tsps. Tabasco sauce

1 tsp minced yellow onion

2 tsp. Worcestershire sauce

pinch white pepper

Celery salt to taste

Blend all ingredients in large pitcher and chill for three hours before serving.

Some recommended blanco tequilas

El Tesoro

Herradura

Patron

Corazon

Chinaco

Jimador

Cabo Wabo