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Cooking Drinking Eating Experiences Food The Chef Wine

Unico

I am a February baby, and trying to figure out how to celebrate the big 40 can be a challenge.  I decided on several small celebrations, rather than a blow out gala or trip to a foreign land.  First up was a lunch with close foodie friends, gentlemen who I have known for over ten years, eaten delicacies at home, restaurants, and through many travels. We have formed our own homage to a gastronomic club like those in San Sebastian, called the Grand Crew.  There are women in this club too, but for this leg of the event, due to the limitations of time and wine quantity, the guest list was four herbs and a bottle.

It is often a task to figure out when to drink expensive wine that you’ve been cellaring, and we often try too hard to wait to open wine, when a simple occasion with friends and loved ones will do .    Not so much for a 40th birthday, the sky is the limit.  I learned from my good friend Jay, whom I have shared many a birthday bottle with, a gift from his father, who had enough foresight to buy several bottles of his son’s birth year to present as a gift when he reached the tender age of twenty one, allowing for maximum aging and enjoyment.  My father only drinks Dominican rum, and so I have sought out some wines from 1970 myself. Luckily for me, 1970 was good for Bordeaux, Barolo,  Barbaresco, Rioja, and Ribera del Duero.

The crown of my collection is a 1970 Vega Sicilia Unico, considered one of the greatest wines ever crafted in Spain and the world, and I planned the whole meal around it.  Every year I ask my grandparents and mother to make several delicacies I have enjoyed my whole life, without which there would be much less joy.  The menu was simple and complimentary to what I though the Vega Sicilia would taste like.  Pork liver pate from Dickson’s Farmstand, lamb kibbe and mechie, Middle Eastern-Haitian staples, celebratory food in the Marcelin household, a real family project and production for preparation and execution.

Kibbe is composed of ground lamb and bulgur wheat, with spices and herbs shaped into torpedoes or patties, and can be eaten raw or deep fried.  I cannot live without them.  Mechie is stuffed cabbage, grape leaves, and eggplant, filled with a rice and beef mixture, often spiced with scotch bonnet peppers.

Now that the menu was set, other wines had to be considered. El Capitan brought a white, and wanted to bring a Champagne.  In my absolute anticipation of the Unico, I could not think clearly, and only asked for he white, a grave error, especially for a Champagne whore such as myself!  But we survived, being consoled by a tremendous Chablis from Dauvissat, a 1999 premier cru, “La Forest”, brimming with exuberance, almost too delicious for its own good, not allowing for time to appreciate, bestow compliments and evolve in the glass.  The middle wine was a gift from Maria Jose of Lopez de Heredia, who I visited this past summer in La Rioja, and generously sent me home with two ‘64’s, both Bosconia and Tondonia.  This would be the wine to lead up to the Unico, as I was careful not to drink them side by side begging for comparison, as both are outstanding wines in their own right.

I played Haitian music throughout the meal, and that accompanied with our friendship and the amazing food, caused dancing in the seat, especially after we sipped the ’64 LDH, a gorgeous, floral, feminine beauty, standing up to the spiciness of the kibbe, and enhancing our appreciation of it.  We were drinking the Bosconia, which Maria Jose swears is more masculine in style than the Tondonia, and that the bottling choice was a mistake they never chose to correct.  I can’t wait to try the Tondonia to corroborate her story.  I know she is the winemaker, but all Bosconias I have tasted in the past seem feminine to me, and all Tondonias, more masculine.

The kibbe was the best I had ever tasted.  I went to Dickson’s Farmstand for all the meat, which added a brightness to each bite, the lamb bringing the dish to the next level.  The mechie was delicate, steaming and nuanced were the flavors, built from slow simmering.

Then we opened the Vega Sicilia Unico, which was an indescribable wine.  It was elusive, powerful yet finessed, not young or old, ageless.  I have actually been thinking about how to describe this wine for several days now, and have come no closer to understanding its seduction.  It is easily the greatest wine of my memory, a real masterpiece.  Its flavor profile is just delicious, and talking about this wine in an academic way is to dishonor the spirit of this wine, which promotes a feeling of being very special just by drinking it.

We had some wine left in the glass for the Vacherin Mont d’Or, easily my favorite cheese in the world, consumed in minutes, raw milk unctuous creaminess sopped up with a filone from Grand Daisy, followed by chocolate covered almonds from Jacques Torres.                                          

The jubilee was at a zenith when I opted for the Cohibas and Havana Club, even Dr. L. and Jay could not refuse, an absolutely perfect pairing, sending us into a dizzying frenzy of euphoria, blunting our palate so as not to drink more vintage wine, thankfully what a defense.

Somehow I made it to Pata Negra later that evening, high on life and happy to see friends and new clients at my place of business.  I was surprised to receive another gift from Maria Jose, delivered to my door during the day, all handled secretly by the lovely Chris, the charming mademoiselle who you will find working the room at Pata Negra when I am not around.  I remember having a conversation about drinking birth year wines very casually, and she offered to send me a 1970 LDH.  I didn’t think on it until the bottle was in my hand, a Tondonia.  She is most gracious for the gift, and I felt blessed to have such fine friends and family all who have showered me with gifts throughout my life.  I am truly grateful.

At 40 I have learned something important from that Unico, that age is just a number, that we should strive to be like a great wine, elegant, powerful, indescribable, delicious and timeless.

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Drinking Eating Experiences Food The Chef

Tribeca Falling

Having spent a week in my second adopted neighborhood in New York, Tribeca, I have noticed some subtle changes in the restaurant landscape.

More than ever, at night, it is quiet, and that can be directly related to the Triburbia effect, meaning the rising number of stay at home moms with strollers who have traded in late night dinners for lunch/shopping.

Many restaurants have closed, most notably Chanterelle and Danube, and there are more empty spaces now than I can remember, testifying to the rising rents everywhere.  The quality of some existing restaurants have slipped too. Old standbys like Tribeca Grill and The Odeon have not kept up with the times, serving mediocre food for unjustified prices, and the basic grub stops such as Edward’s or Petite Abeille, or Max, might as well be located in the Upper East Side.  It’s a bad sign when a chain comes along, like Dean’s pizza, further signifying a changing of the guard.  More Duane Reades, banks and chain stores like Subway.  I had a few recent meals at Bouley Upstairs and Blau Gans, and although the meals were fine, they were not up to par compared to past experiences.  I am still wondering about Nobu’s consistency.

The Little American Place, Kitchenette, Mangez avec Moi have all had changes in their food, I feel, and the void for cuisine ethnic and exciting has not been filled.

There is still a proliferation of Italian restaurants, mostly overpriced and antiquated.  This is pasta better off made at home.  There isn’t a decent burger in sight, maybe Landmark, and the steakhouses Wolfgang’s and the Palm, are not first choices for a fab cut of beef. Megarestos like Megu, Matsugen, and Ninja, still seem to stay open somehow.  Thank goodness Chinatown is so near.

Newcomers like Bar Artisanal and Locanda Verde are trying to fill the void, but my recent trips to these bars proved fatefully malserviced, coupled with uninspired, small portioned food.  The perennial brunch pleaser, Bubby’s is trying to become a late night destination.  Alas early on a Sunday night, they were out of the ribs.  I guess they are trying to fill the void left by Florent’s closing, picking up a weary Soho crowd.  Bouley Market is trying to be a wine bar at night, but the space is simply not conducive to this conversion.  I still enjoy the Japanese small plates at B Flat, a jazz mecca with fine cocktails, and have yet to give Macao Trading Co. a second chance.  Visits to Macao upon opening left me confused.

At the moment Tribeca still seems like a good destination for lunch, from the Bangladesh eateries closer to the courthouses to the Korean fried chicken at Bon Chon, including several pubs that are open for lunch offering good pub fare.  There are a couple of bars on the clandestine side, not speakeasy, but hard to find.  77 Warren might have the right vibe and feel, but their hours are not set in stone.

Pastries are still good at Duane Street Patisserie and Bouley Market, but when will real artisanal coffee arrive?  Stumptown, Counter Culture, anyone?

I still enjoy Tribeca, and will continue too seek out good quality food there, but in the meanwhile, it’s Winnie’s, NY Noodletown, Big Wong, Fuleen’s, and Grand Sichuan for me.

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Drinking Experiences The Chef Wine

Beer Please?

Every other week there is a hotly debated discussion about beer vs. wine.  The beer advocates feel beer gets an unfair shake in terms of craftsmanship and are further looked down upon by wine drinkers.  The wine advocates think it is more difficult to make wine and feel beer consumers are what the commercials portray them to be, uneducated drunkards with zero palate.  Perhaps this attitude is not shared by the winemakers or workers in the industry.  Peek at the beverage that any one of these folks have in hand during leisure time and you can be all-in that the drink of choice is beer.

As Mr. Asimov pointed out in his blog, The Pour,  beer and wine need not be adversaries, merely complimentary choices.  The horrific marketing ads for beer made without quality paint beer consumers as dolts, and after any real discussion with an avid beer lover, you will discover the same passion and knowledge as a wine geek who casually spouts out malolactic fermentation and indigenous yeasts.  It begs the question, why the divorce?  Why not a reconciliation? If one can have several courses during a meal, why not several different beverages?  Why all the rules and animosity?

I like to start with Champagne, or beer or cocktail, then move towards wine, including sherry, ultimately returning to beer or champagne at the end.

Last week I had much to celebrate.  I received I high rank in Aikido, I was a guest on a cable tv cooking show, and I attended the JETS game.  My drink of choice is Champagne, but I opted for beer at the Burger Joint, located in the Parker Meridien Hotel (still my burger of choice in a burger mad city).  The Sam Adams Boston Lager was on tap and in pristine form, full of body and frothy, perfect for the occasion, having just finished my Aikido exam.  Later in the week I found myself at the underground (literally) pizza shop speakeasy at 6th and Avenue B, although I ordered a bottled beer that was much less satisfying.  Finally on Sunday, I celebrated the Yankees victory while watching the JETS, reaching for old standbys Bass Ale and Guinness on tap, which after those two kickoff returns by Ted Ginn Jr.,drowned my sorrows appropriately.

I look at beer as a mini Champagne, a tiny split if you will, and the only decision you have to make is to choose a good one, or at least one to your liking, much like I prefer drinking vintage over non-vintage, except that the cost comparison is recession friendly.  Six packs work just as well as a bottle of wine.  Two people or four can share.  At my favorite Cantonese place, Phoenix Garden, which has a BYOB policy, I often bring a six pack of lager, and then esoteric white wines, just to try different flavor combos and pairings, returning to beer throughout the meal.  But there is no need to quarrel over which, I say choose both.

This week I will be heading at Minetta Tavern for a celebratory black belt meal.  Will it be beer, Champagne, or cocktail to start?  Maybe all three.  The beauty is in the choice and my mood, no rules or arguments.  It all fits.  It’s all good.  It’s all celebration.

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Drinking Eating Experiences Wine

A Spanish Rain Delay

There was a rain out on Friday, preventing the Yankees from clinching the series against the Angels, but as of today, we know the delay could not prevent the obvious outcome.  This did not deter the wine drinking family of Tempranillo, Inc., the Jorge Ordonez company that have placed more 90+ point wines on Parker and Wine Spectator’s radar than any other Spanish wine importer.

This was the annual staff party, winemakers invited and included, selected clients chosen, for an evening of wining and dining, Tempranillo style. My good friend Ramon del Monte invited me, and despite a busy evening at Pata Negra, I could not resist a driveby. The event was hosted at Solera, and with the seasoned chef Danilo Paulino putting out arroz negro and sliced aged beef, there was plenty of Spanish grape juice to match.

A lot of suits and Spanish testosterone for the bi-level restaurant, and only the gracious maitre d’hotel and wine savant Ron Miller can handle so many egos with such ease and care. There were lovely ladies present as well, wielding an intoxicating combination of beauty and wine savvy, such as the darlings from Tinto Fino, and my accompaniment for the evening, one of my managers, Chris, the fashionable Brooklynite whose thirst for knowledge about wine reminds me of my youthful discovery days.  If only I could have been exposed to such extravaganzas in my early twenties.

Everyone was in great spirits, buoyed by the glistening selection of oysters and clams not three feet from the entrance.  This paired gloriously with a cava from the house of Muga, Conde de Haro.  The jovial Juan Muga was present, ambassador for his family winery which need no introduction.  The Prado Enea 2000 was singing that night, having had the benefit of air, and mixed in with a line-up of heavier hitters than the middle of the Yankee batting order.  Aro, Malleolus, El Bosque, El Nido, and the list goes on and on, a battery of wines that have paved the way for New World style soon to be classics that can be laid down for the next generation.

A quick chat with Jorge Ordonez himself, wearing a detective hat indoors, perhaps shielding himself from the hordes of fans and clients, who took time out to tell me he knew nothing of my beloved Yanks, our conversation feeling like two old men playing dominoes on a street corner with Mahou beers, enjoying the pleasantry of differences and a shared love for life, as impressive a first meeting as any for me, a real character.

I was informed that the Moro brothers were missed, not only for their guitar and singing acumen, but also for their boisterous spirit.  The air about the evening was a bit subdued.  This did not suit Juan Muga, and so off we were to the Dream Hotel nearby (we might as well have been in Cleveland), for dancing and mischief.  In this respect New York should be like Madrid or Barcelona, with select bars and clubs open until mid-day.  Four in the morning just doesn’t give anyone enough time to get your groove on, especially if you work in the industry.

This made for a tough 7:30 am wake up, but I just look at it as pre-celebratory Yankees toast, as well as kudos for a bright future of Spanish wine at every table.

Categories
Drinking Experiences The Chef Wine

Great Match Wine & Tapas

Once again this fall, Wines from Spain organized the Great Match in an effort to create greater awareness of Spanish wine in the U.S. marketplace.  Although this fall’s turnout was not as large in the paste, there were still plenty of wines to taste and vintages to track.

The event was held at the Metropolitan Pavilion in Chelsea, and was more fun for me this time around, hauling my friend Chris, a Williamsburg native, who works for me at Pata Negra four nights per week, eager to soak up some Spanish wine knowledge.

My primary goals were to ascertain how vintages are drinking, and also to find some gems that may be hidden in the deep rough.  We tasted over 100 wines, slowed down by some friendly industry conversation.  There was no real time to eat; the lines were long.

The wines of Ribera del Duero were drinking well, as well as the verdejos, crisp whites from the Rueda.  I finally found a winery from Toro which I actually liked, from Bodega Palacio de los Frontaura y Victoria, who was pouring a 2005 Frontaura and Dominio de Valdelcasa.  Both wines were plush and bloody, what I expect from tinto de Toro.

Of the Riberas tasted, Torremilanos crianza 2005, Astrales 2006,  Federico Roble 2007, Arrocal 2004, Valduero Reserva 2004, and Figuero Roble 2006 were all drinking well.  It proved that the 2005 and 2006 vintage can be trusted.  Usually wines from the Ribera need time in the bottle, and most of these could benefit from that time.

Of the verdejos sampled, I enjoyed the Villa Narcisa 2008 from Javier Sanz most, followed by Blanco Nieva and the bestselling Naia.

Priorat made a small splash, represented by Vall Llach’s Embruix 2005, Solanes 2005, and Nita 2007.  The wines were plush and rich, deeply berried and round.

I have to shout out the sherries, but then again these are always the wines of these tastings.  The value from La Gitana and Solear cannot be overstated.

The wine of the tasting for me came out of left field, a cava named Rimarts done in the style of brut nature.  It was delicious, refreshing, and organic, full of minerality and bubbles, a serious effort from a small producer.

Perhaps the hidden producer of the tasting award goes to some ecological wines from Navarra.  The most curious of the line-up being a boxed tempranillo/bobal blend named Charla from Valencia.  This 2003 three litre quaffer hopes add to the boxed wine comeback, and I am listening.  Earth 3.0 Tempranillo  2008 and Casita Mami garnacha/graciano from 2004 were drinking very well.  These wines were aromatic and funky in the right barnyard sort of style.

It was a bit disappointing that some of the wines showcased exhibited similar flavor profiles, a sure sign that winemakers are listening to critics like Parker and Penin.  If the wines taste similarly, leading to higher scores and inflated prices, the same epidemic could occur in Spain as to Australia, and to certain extent California, where consumers lose faith in the market value of homogenous tasting wines, and refuse to pay the exorbitant prices.  Winemakers need to stick their guns, and consumers need to start really assessing what critics are saying.

I am still pleased with the increased awareness in Spanish wines and foods, and am encouraged in a more educated consumer market here in the U.S.  Enjoy Spain!